Hans Zender
Hans Zender, Ensemble intercontemporain, New London Chamber Choir
專輯 - 20 首歌曲 |
Dallapiccola: Canti di prigionia, Frammenti di Saffo ed altre opere vocali (達拉皮科拉：囚禁之歌、莎孚的殘篇、阿那克里翁的抒情詩、阿爾卡埃烏斯詩歌、拆毀有時，建築有時、根據小米開朗基羅的詩寫成的兩首合唱曲)
試聽
-
112:17
-
2Hans Zender, Ensemble intercontemporain, New London Chamber Choir4:44
-
3Hans Zender, Ensemble intercontemporain, New London Chamber Choir10:02
-
4Hans Zender, Ensemble intercontemporain, Julie Moffat2:27
-
5Hans Zender, Ensemble intercontemporain, Julie Moffat0:47
-
6Hans Zender, Ensemble intercontemporain, Julie Moffat1:53
-
7Hans Zender, Ensemble intercontemporain, Julie Moffat1:27
-
8Hans Zender, Ensemble intercontemporain, Julie Moffat2:53
-
9Hans Zender, Ensemble intercontemporain, Julie Moffat3:44
-
10Hans Zender, Ensemble intercontemporain, Julie Moffat2:44
-
11Hans Zender, Ensemble intercontemporain, Julie Moffat1:02
-
12Hans Zender, Ensemble intercontemporain, Julie Moffat1:08
-
13Hans Zender, Ensemble intercontemporain, Julie Moffat1:26
-
14Hans Zender, Ensemble intercontemporain, Julie Moffat1:23
-
15Hans Zender, Ensemble intercontemporain, Julie Moffat1:04
-
16Hans Zender, Ensemble intercontemporain, Julie Moffat2:27
-
17James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne4:41
-
18James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne6:20
-
19James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne5:22
-
20James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne4:36
20 首歌曲
達拉皮科拉的作品以聲樂為主，早期風格受到莫札特、華格納、德布西、史特拉溫斯基等人的影響，追求樸素、抽象與靜態的美感，就像根據小米開朗基羅的詩寫成的兩首合唱曲。接著作品開始出現半音化的傾向，《囚禁之歌》就是最好的例子。
《莎孚的殘篇》、《阿爾卡埃烏斯詩歌》與《拆毀有時，建築有時》都是達拉皮科拉轉向以十二音列創作的作品，三部作品都可以聽到魏本的影響。《莎孚的殘篇》以古希臘情色詩歌作家莎孚的作品入樂，利用音樂直接訴諸感性。