Hans Zender, Ensemble intercontemporain, New London Chamber Choir
專輯 - 20 首歌曲 |
Dallapiccola: Canti di prigionia, Frammenti di Saffo ed altre opere vocali (達拉皮科拉:囚禁之歌、莎孚的殘篇、阿那克里翁的抒情詩、阿爾卡埃烏斯詩歌、拆毀有時,建築有時、根據小米開朗基羅的詩寫成的兩首合唱曲)
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112:17
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2Hans Zender, Ensemble intercontemporain, New London Chamber Choir4:44
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3Hans Zender, Ensemble intercontemporain, New London Chamber Choir10:02
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4Hans Zender, Ensemble intercontemporain, Julie Moffat2:27
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5Hans Zender, Ensemble intercontemporain, Julie Moffat0:47
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6Hans Zender, Ensemble intercontemporain, Julie Moffat1:53
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7Hans Zender, Ensemble intercontemporain, Julie Moffat1:27
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8Hans Zender, Ensemble intercontemporain, Julie Moffat2:53
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9Hans Zender, Ensemble intercontemporain, Julie Moffat3:44
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10Hans Zender, Ensemble intercontemporain, Julie Moffat2:44
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11Hans Zender, Ensemble intercontemporain, Julie Moffat1:02
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12Hans Zender, Ensemble intercontemporain, Julie Moffat1:08
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13Hans Zender, Ensemble intercontemporain, Julie Moffat1:26
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14Hans Zender, Ensemble intercontemporain, Julie Moffat1:23
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15Hans Zender, Ensemble intercontemporain, Julie Moffat1:04
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16Hans Zender, Ensemble intercontemporain, Julie Moffat2:27
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17James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne4:41
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18James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne6:20
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19James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne5:22
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20James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne4:36
20 首歌曲
達拉皮科拉的作品以聲樂為主,早期風格受到莫札特、華格納、德布西、史特拉溫斯基等人的影響,追求樸素、抽象與靜態的美感,就像根據小米開朗基羅的詩寫成的兩首合唱曲。接著作品開始出現半音化的傾向,《囚禁之歌》就是最好的例子。
《莎孚的殘篇》、《阿爾卡埃烏斯詩歌》與《拆毀有時,建築有時》都是達拉皮科拉轉向以十二音列創作的作品,三部作品都可以聽到魏本的影響。《莎孚的殘篇》以古希臘情色詩歌作家莎孚的作品入樂,利用音樂直接訴諸感性。